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“Gonna play a lot of classics,” he said, then added: “There’s a message in the music, you know?” In retrospect, the message was right there for all to hear, in tracks like Hot Chocolate’s “Don’t Turn It Off,” Alicia Myers’ “I Want to Thank You,” Chas Jankel’s “Glad to Know You,” Arnold Jarvis’ “Take Some Time Out,” and Parada 88’s “You’re Gonna Miss Me.” For over two hours, Sweeney played a top-shelf selection of the music he has championed over the past two decades: woozy disco, spangled boogie, stripped-back house, all mixed with flair and obvious love. The veritable dance-music institution often features a pair of guest DJs, but that night Sweeney took the helm. “Special one tonight,” Tim Sweeney promised at the beginning of his March 9 edition of Beats in Space-show number 1085 after 21 years of Tuesdays, week in and week out. This content can also be viewed on the site it originates from. But, as always, if your head’s in the clouds, we’ve got you covered, thanks to downbeat and ambient sessions from Space Afrika, Deadbeat, and Amelia Holt. Butler’s exploration of the overlap between chilly EBM and sweaty techno. Tiffany’s bright-eyed rave throwback, or Russell E.L. Quite a few of this month’s standout mixes bring the party home, like Katerina’s love letter to Finnish minimalism, D.

“It’s always been an end in and of itself, never a means to the end that is ‘raving’ or ‘clubbing.’” That attitude might help explain why his new set for Mixmag is so satisfying: It’s a club set through and through, yet it doesn’t rely on fantasies of nightlife to make sense. “I grew up listening to dance music indoors, on my computer,” he told Resident Advisor last fall. Then there are artists like Cairo producer ZULI to remind us. Every month, Philip Sherburne listens to a whole lot of mixes so you only have to listen to the best ones.Īs we sail into a second year without clubs, it can be easy to wonder what the point of dance music even is anymore.

Dj chas in the mix all mp3 song download